16 August 2026
Women performing moirologia beside a grave in Mani, Greece, in 1962.
Life & Culture

The Significance of Intangible Cultural Heritage (ICH): Greece’s 4 New Additions to its ICH

Moirologia beside a grave in Mani, Greece, 1962. Image Credit: Constantine Manos / Magnum Photos

Post updated: 14 August 2026

As an expat living in Greece, you may first encounter the country’s cultural heritage through its archaeological sites, museums and history. The Acropolis of Athens, Delphi, the Palace of Knossos and the National Archaeological Museum preserve buildings and objects from earlier periods of Greek history. They are examples of tangible cultural heritage, which has a physical form.

Cultural heritage also includes practices and knowledge that depend on people for their continuation. Songs, dances, religious customs, village festivals and craft skills are learned and passed from one generation to the next. UNESCO describes these living traditions as Intangible Cultural Heritage, or ICH. Its definition covers oral traditions, performing arts, rituals, festive events, knowledge concerning nature and the skills used in traditional crafts.

UNESCO adopted the Convention for the Safeguarding of the Intangible Cultural Heritage in 2003. It entered into force in April 2006, and Greece ratified it in January 2007. Safeguarding can include documenting and researching a practice and supporting its transmission to future generations.

Greece created its National Inventory under the Convention. Applications are prepared with the communities, groups and individuals associated with each tradition. An entry records where the tradition is found, who practises it, how it is passed on and any threats to its continuation.

Four traditions entered the National Inventory in 2024

On 3 July 2024, the Ministry of Culture announced four additions to Greece’s National Inventory of Intangible Cultural Heritage: the Maniot lament, Evangelizou, the Thermiotikos Ballos and the Dance of the Mechanic.

Women performing moirologia beside a grave in Mani, Greece, in 1962, Intangible Cultural Heritage in Greece
Moirologia beside a grave in Mani, Greece, 1962.
Image Credit: Constantine Manos / Magnum Photos
People presenting the Evangelizou tradition in Nea Moudania, Intangible Cultural Heritage in Greece
Evangelizou in Nea Moudania, Halkidiki.
Image Credit: Greek Ministry of Culture

Maniatiko Moiroloi

Maniatiko Moiroloi (Μανιάτικο Μοιρολόι) is an improvised sung lament used in the mourning rites of Mani. It is performed mainly by women known as moirologistres. The words refer to the person who has died and may also record family events and local history.

Evangelizou

Evangelizou (Ευαγγελίζου) is a hymn for the Feast of the Annunciation on 25 March. In Mudanya in Asia Minor and nearby villages, groups of children or adults sang it in the streets at dawn. Residents offered them sweets, usually loukoumi, or homemade liqueurs. Refugees from Mudanya brought the custom to Greece, and it is still observed in Nea Moudania, Halkidiki.

Dancers performing the Thermiotikos Ballos in traditional dress on Kythnos, Intangible Cultural Heritage in Greece
Thermiotikos Ballos on Kythnos. Image Credit: Greek Ministry of Culture
Dancers performing the traditional Dance of the Mechanic during an evening celebration on Kalymnos, Intangible Cultural Heritage in Greece
The Dance of the Mechanic on Kalymnos. Image Credit: Greek Ministry of Culture

Thermiotikos Ballos

The Thermiotikos Ballos (Θερμιώτικος Μπάλος) is a paired dance from Kythnos, also known as Thermia. It differs from other island forms of the ballos in its turns, known as voltes, and the freedom given to dancers to improvise.

The Dance of the Mechanic

The Dance of the Mechanic (Ο Χορός του Μηχανικού) comes from Kalymnos and its sponge-diving history. The dancer imitates the unsteady movements of a diver affected by decompression sickness. The condition caused disability and death before divers understood and followed safe decompression procedures. The Lyceum Club of Greek Women of Kalymnos teaches the dance, which is performed on the island and by Kalymnian communities abroad.

Other Examples from Greece’s National Inventory

The four additions sit alongside many traditions already recorded in Greece’s National Inventory of Intangible Cultural Heritage. As of August 2026, the inventory contains 189 registered elements. The total may increase as further traditions complete the registration process.

The inventory covers festivals, dances, oral traditions, religious customs, agricultural knowledge, foodways and traditional crafts. The 19 examples below offer a view of its range. Elements also recognised by UNESCO appear in the following section.

The Ministry adds and updates records, so the official National Inventory should be consulted for the complete list.

Shadow Theatre and Karagiozis. Image Credit: Greek Ministry of Culture
Two women practising traditional weaving on a wooden loom in Asterousia, Crete.
The art of weaving and its safeguarding in Asterousia, Crete. Image Credit: Greek Ministry of Culture
Bread offerings are blessed during the Panagia Messosporitissa observance at the archaeological site of Eleusis. Image Credit: Xaidari Simera

Greek Intangible Cultural Heritage recognised by UNESCO

The following elements of Greece’s National Inventory of Intangible Cultural Heritage are also recognised by UNESCO.

All 11 entries are collected on UNESCO’s official Greece profile.

Why recognition matters

Recognition by Greece’s National Inventory and UNESCO supports traditions that depend on people for their continuation. Songs, dances, festivals, rituals and craft skills survive when they are practised, taught and adapted by the communities that inherited them. Recording their history and meaning helps younger generations understand what they are receiving and why it deserves their care.

National and international recognition can also bring a local tradition to wider attention. A practice once known mainly within a village, island or region becomes accessible to researchers, educators and interested visitors elsewhere. This visibility should remain grounded in respect for the people who sustain it. Their participation, knowledge and right to shape the tradition are central to its future.

For those living in Greece, intangible heritage offers a way to understand the country through the customs people continue to observe. Attending a panigiri, hearing a regional song or watching a traditional dance carries greater meaning when its history and place within the community are understood.

Sources

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